Archive for: March, 2011

Fill that news cycle with paranoia

Mar 17 2011 Published by under Journalism

Wring your hands, America.

At first, the disaster coverage was somber, straightforward. The major news outlets broadcast raw video, fly-over footage of the humbling scale of the swell of seawater over communities and farmland, over cars, houses and fleeing citizens. Narrators were truly affected. You could hear it in their voice. There was this terrified awe in the scant words that could be found to describe one of the few events that can reduce all our industrial might to insignificance in a matter of hours.

Then, a few days later, the scurrying begins.

Inevitably. the media is trying to diversify the coverage of the disaster in Japan to fill the 24 hour news cycle. This is where it starts to get really bad.

Journalists begin the search for new ways to describe the situation. They start applying inane metaphors. The very real, very frightening struggle is put into fantastic terms. Japanese engineers are battling fire-breathing dragons and vicious sea monsters, the implication being that these figments are somehow aptly descriptive of a deadly encounter beyond the norm. More descriptive, perhaps, than the horror of the situation itself: the decimation of large coastal communities by earthquake and tsunami and now the potential of a meltdown caused by the latter, the fallout from which could be spread across thousands of kilometers. These workers have signed their lives away to attempt to avert this tertiary catastrophe and sacrifice their own health to preserve that of others, and somehow, this real act of heroic dedication becomes an appurtenance to a trite metaphor.

Largely, the focus has shifted from the aftermath in Japan to how it affects us, in this country. We're in a panic about the radiation invading the US with any potency. Anti-nuclear politicians take the cue to dust off the old soapbox and pump their fists in anger. The sanctioned paranoia drives us to care, to question our own safety. While watching Henry Waxman blather on insincerely about nuclear safety I imagined every nuclear engineer in the country scrambling to book a two week vacation while the politicians pitch a new tent in the ongoing self-serving moralistic circus of opportunity.

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Tritely perhaps, Joyce for St. Patrick's Day

Mar 17 2011 Published by under Art, Writing

His throat ached with a desire to cry aloud, the cry of a hawk or eagle on high, to cry piercingly of his deliverance to the winds. This was the call of life to his soul not the dull gross voice of the world of duties and despair, not the inhuman voice that had called him to the pale service of the altar. An instant of wild flight had delivered him and the cry of triumph which his lips withheld cleft his brain.

From A Portrait of the Artist as a Young Man, James Joyce

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If you need a new podcast...

Mar 15 2011 Published by under [Biology&Environment]

...while you're manually slogging through work that will be automated one day, check out the One Species at a Time podcast:

Lend an ear and discover the wonders of nature—right outside your back door and halfway around the world. In our new season of audio broadcasts, we’ll be learning about life as small as yeast and as big as a bowhead whale. Hear people's stories about nature and hone your backyard observation skills. We’ll be exploring the diversity of life—five minutes and One Species at a Time.

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Format, prescriptivism and Plato's chair

Mar 10 2011 Published by under Journalism, Writing

Even during blogging droughts I try to keep up on the continuing discussions among science bloggers. I came across a couple of posts in my catch-up reading that I really enjoyed reading, and wanted to share a few thoughts on format, language, standards and how they apply directly to what I've experienced.

Melody has a post up at Child’s Play discussing a piece from the New York Times about literacy and grammar, the general “decline” of English:

…to pull the strings together: I agree that part of what’s driving linguistic variation may be, as Greene argues, a lack of strong “top-down” constraints on variation. Basic literacy has exploded, but not well-normed literacy, and that probably has a lot to do with the massive educational disparities that exist in this country. On a societal scale, our education system is clearly failing to get everyone ‘up to standards’ [3].

She goes on to say that there is an inherent moralistic imposition in the standardization of English taught that doesn’t account for its colloquial value among communities.

I can see the reasoning, but I think that’s based on a incomplete idea of how the English language is accepted/presented among even the most pedantic English teachers and grammar Nazis. As Melody says, it constitutes an enormous body of words, phrases and mechanics, a mish-mash of bastardizations and misinterpretations that become a new standard; part of the beauty of English is its affinity for new words, new turns of phrase, its capacity for the incorporation of novelty. I grew up calling Capicola ham cabigal, and Ricotta cheese rigot – other Italian Americans knew what we meant, but the gourmet shop clerk did not. But I think underlying even the most nuanced dialect of English is the same basic structure that makes it, well, English, and that the standard isn't necessarily in conflict. It was made clear during my education that grammar constituted ground rules, and knowing exactly how to break the rules is what has produced our greatest writers and speakers. That was always emphasized.

Faulkner’s As I Lay Dying is a great example of this. Faulkner writes from the differing perspectives of a group of Southerners – family and friends – that surround the death of a friend and mother. Each chapter is written from one character’s perspective in their own dialect. Faulkner’s range is astounding. Darl is traditionally articulate and perhaps, the vessel of the author. Vardaman is young and brash, his language is crude on the surface, but Faulkner writes with such skill that he evokes beauty from “poor” grammar and non-standard English. Faulkner was breaking the rules in all the right ways over 80 years ago, appreciating the way people truly spoke the English language, because he knew how to.

In other words, fiction hasn’t been following the rules for a long time. Authors recognize the value of colloquialisms. No one has written like Herman Melville since Herman Melville. We've always loved slang, always welcomed it warmly into general use; then we abuse it until it's annoying and drives us all crazy. You're on notice, lolspeak.

I think it’s more productive to consider language in an applied, categorical sense. The proper use of language depends on the standards of the medium or the institution governing the medium. In gaming, social media and blogging, anything goes because it’s unmediated. We write without filters. Our online communication is usually intended to be an exchange rather than a presentation. We want feedback. I usually don’t bother with punctuation when I’m getting rolled by pro nerds online. In the interest of brevity, why type “you’re” when you can get the same result with “ur”?

But when I go to work, I have an industry standard to uphold. I need to communicate technical information in the most clear, direct fashion that I possibly can so that there is no confusion for the end user. I need to take industry slang and translate it. My terminology needs to be precise and consistent. It needs to conform to the style guide. The terms Window, Screen, Dialog have specific meanings that need to describe the same components in every instance.

Similarly, journalistic writing is formulaic, as Hannah is fast realizing (congrats on the internship!). Using the inverted pyramid feels awkward at first, but like technical writing, it’s purposefully restrictive. News story writing is bread and butter; content needs to be concise and churned out quickly. The formula streamlines the process, helps the writer to focus the delivery of information. Not every piece is a story, and usually only experienced journalists are given feature pieces. But even the expansive features in newspapers and magazines are formulaic. In fact, the vast majority of blog posts you’ll find on – including my own – are predictably constructed. The structure exists because it’s useful.

The inverted pyramid isn’t the frame, the marketing scheme of “Science Is Cool” or “Science Is Friendly” is. Scientific research in the context of a journalistic interpretation is often treated like Plato’s chair – we judge its value based on some theoretical purest form, a subjective, ineffable idea of the research. The truth is, however, that it’s the skill of the writer working within the format that determines the piece’s informative value to us. It is not a story until it’s given a narrative; the quality of the narrative is dependent on the skill of the writer.

When you’re forced to work within a restrictive format, along certain standards, it teaches you precision that can be applied to more creative formats. Let’s not pretend that there aren’t levels of communicative ability; some have a better mastery of language than others, but I think all lovers of the English language hope that this appreciation extends to its outer reaches, its innovations, its novelty and its interpretation.

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Day in, day out

Mar 06 2011 Published by under Writing, [Humanities&Social Science]

It's been tough finding the time and place to write with any consistency over the last few weeks. I've been making up for spare evenings during the week of a few snippets of dialog or a .txt of notes from a paper I'd like to discuss with a weekend glut at the library. Yesterday I wrote with urgency, some 4000 words in less than three hours, perhaps trying to make up the lost time during the week.

Sometimes it feels like a psychological disorder. I was recently asked where my passion for writing comes from and I was stumped. It's an easy question, I just wonder if it's actually a passion. It feels like a compulsion. I mentally break down my day into units of consumed and free time, judge my actual use of off hours against the planned use and then silently endure the appropriate level of guilt. A remnant of my Catholic upbringing I'm sure.

I've become fixated on what I perceive as hindrances. I don't work well at home on a computer, so for a time I was dragging my heavy Lenovo laptop to the library to write, but it's still very easy to get distracted when there's a Wifi connection. I bought an Alphasmart NEO, the best writing tool I've ever purchased probably, and that has solved my distractions problems, but I still write better when I'm out of the house, so the library has become a regular element in my process. (In a future post, I'm hoping to take everything I've learned over the past year or so about useful tools for writers and pass it on. Maybe it'll help cut through some of the trial and error for others.)

It sounds like an excuse. Saying that I can't write in certain circumstances sounds prissy, high maintenance, but in assembling a daily routine, the repetition of activities, the grind of day in and day out, process becomes ritual. We'll spend 30, 40 years of our lives doing the same thing five days a week. We shake our heads at our parents for their complacency, but many find peace in predictable events, in consistency, especially when much of the rest of their lives is chaotic. Apathy, disease, finance, relationships, identity, addiction: these are all issues that routine can ameliorate. When you find that kernel of focus and can wrap it in tangible elements - proper place, tools, sensory inputs - it can become a sanctuary, a refuge for clear thought and implementation. Ultimately it's probably more of an eternal aspiration than a reality.

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A wild Meetup group appears!

Mar 06 2011 Published by under Intelligent Design, Religion

The Meetup group notifications that pop up in my email every now and then are always fun. I almost want to go to this one to see if it's a sales pitch for his book or just looking for a big cathartic mess of a discussion:

Do you know that cloning, synthetic biology, entropy, and the Ice Ages can be traced to The Bible? Can the discovery of the Higgs Boson, or God particle, by scientists in CERN or FERMILAB help us perceive the spirit realm? Do you like science? Do you believe in God? Do you know that The Bible is full of exciting, scientific information?

If any of these questions apply to you, then each month you are invited to join author Donnell Duncan and his private network of friends at The Faith Science Experience. Even if you don't know anything about science but are interested, you are welcome to join us.

These meetings are open to the community and provide an open forum for discussion, discovery, and debates arising from the inevitable collision between modern scientific developments and timeless biblical truth!. It's so much fun. You won't regret it.

If you plan on attending, it's probably best for the organizer that you don't know anything at all about science.

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