Nature and the illusion of peace

(by jeremy) Jun 09 2011

In the clearing just below my grandfather's hunting cabin, between thick rows of red and blue spruce, you have to be careful with the lawn mower. Three perfect white sitting rocks are quickly overgrown with daisies and other weeds in the spring, so it's important to fish the stones from the tangle to avoid twisting a blade. I spent an evening there, about an hour, sitting, waiting for the sun to fully set, for the sky to blacken. Eventually I lost patience and went inside. The trees remained shadows against dark blue for much of the night.

Down there though, sitting on those rocks, it's quiet. The silence is deep, broken only by the furtive movements of rodents and birds in the woods and the rise and fall of the choral of tiny frogs by the pond. Occasionally the song halts while a larger animal passes - perhaps deer or raccoon - and then resumes. I get edgy thinking it might be a bear.

These are the moments we crave with nature. I sought out the exact place for my cathartic need for the quiet mountain that evening in the same way millions of people seek out specific places to connect with nature: state parks, hiking trails, cabin rentals, on and on. When my grandfather's place was inaccessible due to distance, I found other ways to connect. If I went too long without having that selfish bit of time, I felt pensive, frustrated. E.O. Wilson cites our evolutionary heritage. I tend to agree, but it runs deep in different ways. In my case, it's partially familial. Being in the woods anywhere reminds me of happy, uncomplicated times I spent with my family.

There's something untrue about it all, however. I sit in the night and listen, hearing little, breathing deep, but under my feet billions of organisms fight for territory and resources in the tiny cracks between soil granules. The soil itself is a conglomerate of varied origin, the decayed remains of animals and plants, fragments of ancient rock from continents long dead. The weeds we hacked down just days before have begun to vigorously regenerate, to vie for a better access to sunlight. Down the road, a snake invades the den of a family of chipmunks overnight, consumes the young. The guardians of the den are dead, flattened by passing cars on the asphalt. The babies would have died of starvation anyway.

You can almost see it, hear it when you want to, the cells of every living things around, the innumerable chemical processes firing off and all of this in context temporarily strips away that peace, leaves bare a reality, if not the reality of nature. The limitations of our own senses save us from prolonged exposure, but it invades nonetheless, if you let it.

There is something disrespectfully incomplete about popular conceptions of nature, especially when the escape into these places we love is for pure beauty, pure peace. There's something I dread about reentering that world, seeing the things none of us want to see, the brutality of it: death, chemical compulsions, the needs of predators. It's a reminder of how things really are and squashes that silly daydream of somehow returning to nature and finding our "proper" place among it once more. As a species, we ran away and didn't look back until about 100 years ago or so.

It's easy to wax poetic about the parsimony of nature, the circle of life, the harmless, birds-eye view of the majesty (and other such cliches), but it's difficult to actually witness the sad little realities that form the foundations of the big, happy system. The peace that I derive from nature is always denuded, raw, contextualized; I return to the city relieved but mindful. It's never a light escape. It never should be.

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Burning books, instinctual acrimony

(by jeremy) Apr 03 2011

I've been mulling two ideas over in the past couple of weeks while I try to dig myself out of a documentation hole at work. They're tied in a very interesting way. One is learned behavior. I've been thinking about the fondness with which I regard my childhood attending church, especially during the Easter season, the chaotic weather, the funerals and weddings, the strange way the air holds the smell of mold, of mud. It makes me think of shovels, graves, flowers, incense, of stained tile and old statues, suits and perfume and soft hugs, my family, particularly those long dead. This pleasantness is derived from memories that are as melancholy and terrifying as they are happy. It's a sloppy mess. It's inextricably tied in my mind to the church, to my Easters there, and despite the fact that I am no longer a practicing Catholic, I still have the desire, every season, to dress my best and stand among the other twice-a-year Catholics on Easter.

The other idea is our instinctual impulse to unconsciously act, usually to protect our body from harm. Yanking your hand from a hot stove is the classic example, but Sean Burnett snagging two out of three shots up the middle yesterday when the Nats beat the Braves is a far more interesting example. There's no way he can consciously process the act of catching that ball at that speed, but with a mixture of luck, training and instinct, he's able to make an incredible out and save the Nats from having a long, painful ninth.

Both of these elements are bolstered by the often unconscious absorption of sensory information. Our brain, categorically, does the work for us, making associations in the moment, which are, naturally, emphasized with repetition. I think the extent to which we are aware of these cognitive factors determines largely how we react to new ideas, new situations. I'm generalizing. Bear with me.

Terry Jones burned a Koran over the weekend. People across the world reacted. Some rioted, murdered innocent people. Our media pundits gave Jones the catbird seat, hoping to skewer the man with a holy pike misnamed Tolerance. Jones stuck to his weird justification of the act. Everyone thinks he's a real dick.

PZ Myers summed up the situation up pretty well when this nonsense first started in the fall:

So I'm looking at this recent episode with Terry Jones — a fellow I don't like at all, and I think he's a fanatical goofball — and I see that the serious problem here isn't Jones at all…it's all the lunatics who are insisting that burning the Koran is a major international catastrophe.

It's just a frackin' book, people.

I don't want to descend into the civility argument because it's irrelevant. Civility is a guise. Expect people to be uncivil and you'll be better off. Gregarious individuals know how to work through it. Most people don't know how, won't accept that knowing how is a prerequisite for true communication. The internet is a mean, intolerant place where people argue constantly. I think it's for the best.

We let ideas get the best of us, to define the core of our being. It's laziness. We let our training, our learned behavior unconsciously dictate our reactions. Our nerve endings as a society are sore and swollen, ready to lash out, to react, to epitomize our faction stereotypes in the name of Opposition.

The strangest thing of all is that the violent outrage stems from the physical act of defacing the Koran (or drawing cartoons), and not the knowledge that billions of people across the world do not respect the idea that the Koran is holy or deserves special protection. That's what really bothers me. The ideologically devout - and I want to stress here that I'm not just talking about religion - cognitively, verbally immolate ideas they dislike by the very act of accepting one ideology at the exclusion of all others. Every faith, every concept of reality is claimed by zealots to be the only one.

If that is true, I wonder what the difference is then, between burning the Koran and dismissing the Koran as untrue, considering it no more than a cultural product. Are acts like these reminders of the quintessential weakness of being a proponent of one particular ideological worldview? On one hand we want to say that people identify too deeply with ideas and not material reality, but then they only react to material acts of blasphemy and ignore the reality that the vast majority of the world thinks they're completely wrong.

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Fill that news cycle with paranoia

(by jeremy) Mar 17 2011

Wring your hands, America.

At first, the disaster coverage was somber, straightforward. The major news outlets broadcast raw video, fly-over footage of the humbling scale of the swell of seawater over communities and farmland, over cars, houses and fleeing citizens. Narrators were truly affected. You could hear it in their voice. There was this terrified awe in the scant words that could be found to describe one of the few events that can reduce all our industrial might to insignificance in a matter of hours.

Then, a few days later, the scurrying begins.

Inevitably. the media is trying to diversify the coverage of the disaster in Japan to fill the 24 hour news cycle. This is where it starts to get really bad.

Journalists begin the search for new ways to describe the situation. They start applying inane metaphors. The very real, very frightening struggle is put into fantastic terms. Japanese engineers are battling fire-breathing dragons and vicious sea monsters, the implication being that these figments are somehow aptly descriptive of a deadly encounter beyond the norm. More descriptive, perhaps, than the horror of the situation itself: the decimation of large coastal communities by earthquake and tsunami and now the potential of a meltdown caused by the latter, the fallout from which could be spread across thousands of kilometers. These workers have signed their lives away to attempt to avert this tertiary catastrophe and sacrifice their own health to preserve that of others, and somehow, this real act of heroic dedication becomes an appurtenance to a trite metaphor.

Largely, the focus has shifted from the aftermath in Japan to how it affects us, in this country. We're in a panic about the radiation invading the US with any potency. Anti-nuclear politicians take the cue to dust off the old soapbox and pump their fists in anger. The sanctioned paranoia drives us to care, to question our own safety. While watching Henry Waxman blather on insincerely about nuclear safety I imagined every nuclear engineer in the country scrambling to book a two week vacation while the politicians pitch a new tent in the ongoing self-serving moralistic circus of opportunity.

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Tritely perhaps, Joyce for St. Patrick's Day

(by jeremy) Mar 17 2011

His throat ached with a desire to cry aloud, the cry of a hawk or eagle on high, to cry piercingly of his deliverance to the winds. This was the call of life to his soul not the dull gross voice of the world of duties and despair, not the inhuman voice that had called him to the pale service of the altar. An instant of wild flight had delivered him and the cry of triumph which his lips withheld cleft his brain.

From A Portrait of the Artist as a Young Man, James Joyce

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If you need a new podcast...

(by jeremy) Mar 15 2011

...while you're manually slogging through work that will be automated one day, check out the One Species at a Time podcast:

Lend an ear and discover the wonders of nature—right outside your back door and halfway around the world. In our new season of audio broadcasts, we’ll be learning about life as small as yeast and as big as a bowhead whale. Hear people's stories about nature and hone your backyard observation skills. We’ll be exploring the diversity of life—five minutes and One Species at a Time.

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Format, prescriptivism and Plato's chair

(by jeremy) Mar 10 2011

Even during blogging droughts I try to keep up on the continuing discussions among science bloggers. I came across a couple of posts in my catch-up reading that I really enjoyed reading, and wanted to share a few thoughts on format, language, standards and how they apply directly to what I've experienced.

Melody has a post up at Child’s Play discussing a piece from the New York Times about literacy and grammar, the general “decline” of English:

…to pull the strings together: I agree that part of what’s driving linguistic variation may be, as Greene argues, a lack of strong “top-down” constraints on variation. Basic literacy has exploded, but not well-normed literacy, and that probably has a lot to do with the massive educational disparities that exist in this country. On a societal scale, our education system is clearly failing to get everyone ‘up to standards’ [3].

She goes on to say that there is an inherent moralistic imposition in the standardization of English taught that doesn’t account for its colloquial value among communities.

I can see the reasoning, but I think that’s based on a incomplete idea of how the English language is accepted/presented among even the most pedantic English teachers and grammar Nazis. As Melody says, it constitutes an enormous body of words, phrases and mechanics, a mish-mash of bastardizations and misinterpretations that become a new standard; part of the beauty of English is its affinity for new words, new turns of phrase, its capacity for the incorporation of novelty. I grew up calling Capicola ham cabigal, and Ricotta cheese rigot – other Italian Americans knew what we meant, but the gourmet shop clerk did not. But I think underlying even the most nuanced dialect of English is the same basic structure that makes it, well, English, and that the standard isn't necessarily in conflict. It was made clear during my education that grammar constituted ground rules, and knowing exactly how to break the rules is what has produced our greatest writers and speakers. That was always emphasized.

Faulkner’s As I Lay Dying is a great example of this. Faulkner writes from the differing perspectives of a group of Southerners – family and friends – that surround the death of a friend and mother. Each chapter is written from one character’s perspective in their own dialect. Faulkner’s range is astounding. Darl is traditionally articulate and perhaps, the vessel of the author. Vardaman is young and brash, his language is crude on the surface, but Faulkner writes with such skill that he evokes beauty from “poor” grammar and non-standard English. Faulkner was breaking the rules in all the right ways over 80 years ago, appreciating the way people truly spoke the English language, because he knew how to.

In other words, fiction hasn’t been following the rules for a long time. Authors recognize the value of colloquialisms. No one has written like Herman Melville since Herman Melville. We've always loved slang, always welcomed it warmly into general use; then we abuse it until it's annoying and drives us all crazy. You're on notice, lolspeak.

I think it’s more productive to consider language in an applied, categorical sense. The proper use of language depends on the standards of the medium or the institution governing the medium. In gaming, social media and blogging, anything goes because it’s unmediated. We write without filters. Our online communication is usually intended to be an exchange rather than a presentation. We want feedback. I usually don’t bother with punctuation when I’m getting rolled by pro nerds online. In the interest of brevity, why type “you’re” when you can get the same result with “ur”?

But when I go to work, I have an industry standard to uphold. I need to communicate technical information in the most clear, direct fashion that I possibly can so that there is no confusion for the end user. I need to take industry slang and translate it. My terminology needs to be precise and consistent. It needs to conform to the style guide. The terms Window, Screen, Dialog have specific meanings that need to describe the same components in every instance.

Similarly, journalistic writing is formulaic, as Hannah is fast realizing (congrats on the internship!). Using the inverted pyramid feels awkward at first, but like technical writing, it’s purposefully restrictive. News story writing is bread and butter; content needs to be concise and churned out quickly. The formula streamlines the process, helps the writer to focus the delivery of information. Not every piece is a story, and usually only experienced journalists are given feature pieces. But even the expansive features in newspapers and magazines are formulaic. In fact, the vast majority of blog posts you’ll find on ResearchBlogging.org – including my own – are predictably constructed. The structure exists because it’s useful.

The inverted pyramid isn’t the frame, the marketing scheme of “Science Is Cool” or “Science Is Friendly” is. Scientific research in the context of a journalistic interpretation is often treated like Plato’s chair – we judge its value based on some theoretical purest form, a subjective, ineffable idea of the research. The truth is, however, that it’s the skill of the writer working within the format that determines the piece’s informative value to us. It is not a story until it’s given a narrative; the quality of the narrative is dependent on the skill of the writer.

When you’re forced to work within a restrictive format, along certain standards, it teaches you precision that can be applied to more creative formats. Let’s not pretend that there aren’t levels of communicative ability; some have a better mastery of language than others, but I think all lovers of the English language hope that this appreciation extends to its outer reaches, its innovations, its novelty and its interpretation.

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Day in, day out

(by jeremy) Mar 06 2011

It's been tough finding the time and place to write with any consistency over the last few weeks. I've been making up for spare evenings during the week of a few snippets of dialog or a .txt of notes from a paper I'd like to discuss with a weekend glut at the library. Yesterday I wrote with urgency, some 4000 words in less than three hours, perhaps trying to make up the lost time during the week.

Sometimes it feels like a psychological disorder. I was recently asked where my passion for writing comes from and I was stumped. It's an easy question, I just wonder if it's actually a passion. It feels like a compulsion. I mentally break down my day into units of consumed and free time, judge my actual use of off hours against the planned use and then silently endure the appropriate level of guilt. A remnant of my Catholic upbringing I'm sure.

I've become fixated on what I perceive as hindrances. I don't work well at home on a computer, so for a time I was dragging my heavy Lenovo laptop to the library to write, but it's still very easy to get distracted when there's a Wifi connection. I bought an Alphasmart NEO, the best writing tool I've ever purchased probably, and that has solved my distractions problems, but I still write better when I'm out of the house, so the library has become a regular element in my process. (In a future post, I'm hoping to take everything I've learned over the past year or so about useful tools for writers and pass it on. Maybe it'll help cut through some of the trial and error for others.)

It sounds like an excuse. Saying that I can't write in certain circumstances sounds prissy, high maintenance, but in assembling a daily routine, the repetition of activities, the grind of day in and day out, process becomes ritual. We'll spend 30, 40 years of our lives doing the same thing five days a week. We shake our heads at our parents for their complacency, but many find peace in predictable events, in consistency, especially when much of the rest of their lives is chaotic. Apathy, disease, finance, relationships, identity, addiction: these are all issues that routine can ameliorate. When you find that kernel of focus and can wrap it in tangible elements - proper place, tools, sensory inputs - it can become a sanctuary, a refuge for clear thought and implementation. Ultimately it's probably more of an eternal aspiration than a reality.

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A wild Meetup group appears!

(by jeremy) Mar 06 2011

The Meetup group notifications that pop up in my email every now and then are always fun. I almost want to go to this one to see if it's a sales pitch for his book or just looking for a big cathartic mess of a discussion:

Do you know that cloning, synthetic biology, entropy, and the Ice Ages can be traced to The Bible? Can the discovery of the Higgs Boson, or God particle, by scientists in CERN or FERMILAB help us perceive the spirit realm? Do you like science? Do you believe in God? Do you know that The Bible is full of exciting, scientific information?

If any of these questions apply to you, then each month you are invited to join author Donnell Duncan and his private network of friends at The Faith Science Experience. Even if you don't know anything about science but are interested, you are welcome to join us.

These meetings are open to the community and provide an open forum for discussion, discovery, and debates arising from the inevitable collision between modern scientific developments and timeless biblical truth!. It's so much fun. You won't regret it.

If you plan on attending, it's probably best for the organizer that you don't know anything at all about science.

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Censored Wojnarowicz vid screening at Emory

(by jeremy) Feb 11 2011

Just wanted to point this out: Emory will be screening "A Fire in My Belly," the video David Wojnarowicz recently pulled from the Hide/Seek exhibit in the National Portrait Gallery. The event is next Thursday and will feature a panel on art and censorship. Should be an interesting discussion.

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Smithsonian backing censorship

(by jeremy) Feb 03 2011

The Washington Post and several other newspapers published articles this week on the recent backing of a Smithsonian official’s decision to pull a piece from an exhibition in the National Portrait Gallery when conservatives from Congress and the Catholic League freaked the fuck out (NYT):

The regents did not recommend that the secretary of the Smithsonian Institution, G. Wayne Clough, step down, as some critics of the removal had called for since he decided to pull the video, called “A Fire in My Belly,” by David Wojnarowicz (pronounced voy-nah-ROH-vitch).

The four-minute video outraged the Catholic League and several members of Congress for its depiction of ants crawling on a crucifix, which they interpreted as sacrilegious and, in the words of Representative Eric Cantor, Republican of Virginia, “an obvious attempt to offend Christians during the Christmas season.”

The board of regents have created a "troubling precedent" as officials from the Hirshorn have openly stated. I don’t care how they have it worked out: this is plain and simple censorship and Clough should have lost his job, not been supported. Admit the error, can the administrator and move on.

But here we are, with board-backed censorship. They've stated that it was a mistake, but have fallen short of restoring the exhibition to its initial extent. Can the Smithsonian institution be fully trusted in the future? The public funding argument is a smokescreen. We pay into public funds for expert officials to make decisions about where it’s spent, not the Catholic League or even worse, Republican politicians. The percentage is irrelevant.

This is bigotry poorly masked by outrage over blasphemy. It’s difficult for me to grasp exactly what’s sacrilegious about ants crawling on a crucifix. Ants aren’t exactly notorious carrion animals like flies, not to the extent of being typical symbols of decay. Even so, if the crucifix was covered in carrion insects, Christ’s body was supposedly hanging and decaying in the hot sun for hours and then in the tomb for days. Catholics wept in cathartic ecstasy over the realism of The Passion of the Christ, but suddenly draw the line at the realism of the infection and consumption of decaying flesh?

Besides, the Bible seems to be cool with ants in general. From Proverbs:

Go to the ant, O sluggard; consider her ways, and be wise. Without having any chief, officer, or ruler, she prepares her bread in summer and gathers her food in harvest.*

But it’s not really about that, is it? It’s about homosexuality, really, the fact that the prejudicial ground conservatives have been inhabiting safely is slowly being eroded by recent legislation and the time to capitalize on permissible bigotry and the suppression of civil rights is being shortened. They’ll take what they can get, ride the religious sensitivity wagon for a bit to have the exhibit disrupted, only to turn around and whine about mosques at Ground Zero and the Liberal Support of Religions That Are Not Christianity.

So here’s the Smithsonian, encouraging this sort of behavior over such a trivial matter. The image isn’t even thematic; it’s a nuance, a brushstroke in a larger portrait. The Smithsonian seems to claim that a thoroughly presented explanation of the piece would have provided context and assuaged the anger. I doubt it. We’re talking about worldviews, and once you start pandering to one, you make exceptions across the board. Art isn’t strictly about sensitivity. Art is, and we react. As soon as we lose that distinction – the honesty – we lose everything valuable about it.

I grew up the DC area. We were at the Zoo or on the Mall at least once a month, so the Smithsonian Institution has played a big part in my education through the years. This debacle is disappointing, to say the least.

Bill Donohue and the Catholic League released a statement today. They aren't satisfied (surprise!), even though they supposedly got what they wanted:

Speaking of the artist who made the ants-on-the-crucifix video, the Smithsonian's John W. McCarter Jr. said, "I believe, in his mind, that [the video] was not sacrilegious." Did he stumble upon the diary of David Wojnarowicz? Has he been channeling him? McCarter also asks us to consider the possibility that the video "might have been very deeply religious?"

McCarter's subjectivism is unwarranted. We know some things about the artist, and what we know is that he branded the Catholic Church a "house of walking swastikas." So why is it so hard to connect the dots? Isn't it obvious the artist was a raging anti-Catholic bigot?

Donohue is saying that Catholics (more specifically, the Catholic League) are the only authority on the interpretation of their iconography and should be given the final say. That's not how a pluralistic society works. That's not how culture works. Ideas aren't pure. They aren't under special protections for certain groups. There is only subjectivism when it comes to religion and culture. It's not unwarranted; it's exclusive.

If a man like Wojnarowicz can insult Christians the way he did, knowing full well his sentiments on Catholicism, and he is still given the benefit of the doubt—even to the point of entertaining the fiction that his video is "very deeply religious"—then it is obvious what is going on.

If you don't want to see reinterpretations of your beliefs, of culture, then either look away or try to understand where they come from and maybe gain a new insight on how others perceive your traditions. Wojnarowicz went through a special hell in his lifetime and Christian bigotry, obviously, was a big part of his anger toward the Church. Homophobia isn't particular to Christianity, but Wojnarowicz was obviously most touched by those traditions. If he had experienced bigotry from the Muslim or Jewish communities and expressed it, I'm sure there would have been equivalent outrage. My opinion certainly wouldn't change. I don't know how the Smithsonian would have handled it.

Bigots complaining about bigotry. Clough and the board should think long and hard on how this was handled and make sure it doesn't happen again.

*It’s fun to quote the Bible out of context. Also, I like how this quote, when pasted into a Google search, returns headers like “What does the Bible say about money management?”

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